Stay far away from that garbage, but do check out the original, a film that instantly made clear how much Samara Weaving was going to be a star.
McG’s surprise horror-comedy hit was so popular for Netflix that it produced a sequel in 2020’s The Babysitter: Killer Queen. Dave Bautista stars as the leader of a ragtag group of former soldiers who are tasked with breaking into the zombie-overrun city of Las Vegas to retrieve millions in a safe under the city.
Romero’s Dawn of the Dead, and the result is a bit of mindless undead fun. The divisive Zack Snyder returns to the world of zombie action years after his breakthrough with a remake of George A. It starts as something dreamy and scary à la The Wicker Man but ends up being something much grosser and darker as it reaches its unforgettable climax. Look, another Netflix Original! The Raid director Gareth Edwards moves from action to horror in this slow-burn period piece about a man who goes to rescue his sister from a remote cult. Smart and fast-paced, this is an excellent modern zombie movie that alternates building tension with clever action scenes. Released at the height of the pandemic, this Korean zombie flick became a surprise hit on Netflix, but the truth is that it could have worked even without the “timeliness” of the tale of a man stuck in his apartment during the apocalypse. Wilfred and his boy struggle to cope with what they’ve done, and must try to survive their now-cursed life as killers. Thomas Jane stars as Wilfred James, a provincial man who manipulates his teenage son (Dylan Schmid) into helping kill his mother (Molly Parker) so she can’t take her share of the family’s money and ship off to the big city - effectively leaving their farm to die.
She followed that with a supporting role in the Jason Bateman-Laura Linney drama "Ozark" (Netflix, 2017-) where she portrayed the wife of Peter Mullan's crime boss.This Stephen King adaptation is one of those that seeps into your blood and poisons it. Her profile jumped significantly when she signed on to the Marvel superhero drama "Jessica Jones" (Netflix, 2015-) playing Louise Thompson, the warped mother of the villain Killgrave. On the big screen, she appeared opposite Tina Fey and Paul Rudd in the comedy "Admission" (2013). She continued acting in guest roles on television, including a recurring role on "Ed" (NBC, 2000-04) as well as multiple episodes of "Law & Order" (NBC, 1990-2010) and "Louie" (FX, 2010-15). She found similar success appearing opposite Cynthia Nixon and Jennifer Coolidge in the public television production of Clare Boothe Luce's play "The Women" (2002).
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Her lengthy theater credits provided the opportunity to move into a more prominent TV role when public television aired a filmed version of the Off-Broadway play "Far East" (2001), with Emery in a role that she originated on stage. In the '90s, the actress began a consistent run of small parts, including a role on the daytime soap opera "As the World Turns" (CBS, 1956-2010) and in the indie comedy "How to Be Louise" (1990). After beginning her career on the New York stage in the early-1980s, the Pittsburgh native moved into screen work during the middle part of the decade with small roles on the miniseries "Doubletake" (CBS, 1985) and the horror film "Dreamaniac" (1986). American character actress Lisa Emery did yeoman work on stage and in small screen parts before finding mainstream recognition on streaming service programming.
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